CANCIONERO PABLO MILANES PDF

Cancionero [Silvio Rodriguez and Pablo Milanes] on *FREE* shipping on qualifying offers. ediciones nueva trova (Argentina), paperback, c Listen free to Pablo Milanés – Las Mejores Canciones (Te Quiero Porque Te Quiero, Yolanda and more). 12 tracks (). Discover more music, concerts, videos. Cancionero. Pablo Milanés. Released 1K. Cancionero Tracklist. 1. Son Para Despertar a Una Negrita Lyrics. 2. Amo Esta Isla Lyrics. 3. Identidad Lyrics. 4.

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Below are stated conditions for a used vinyl records at Dusty Groove. If there is significant divergence from the condition of the vinyl, or specific canconero, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell.

Milanex, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record.

If we spot any significant flaws, we make every attempt ,ilanes listen through them and note how they play. This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn’t look original, or if the record seems to have undergone some damage over time, canciinero probably take it out of the wrapper to ensure that it’s in good milanee — which is why we don’t have more of these.

In some cases the shrink-wrap may be torn in spots, but if it’s not possible the record has been taken out and played, the record will still qualify as “Sealed”. Dusty Groove does not use the grades of Near Mint or Mint, for that matter because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower.

We’ve often found that records which are milnes unplayed will have a slight amount of surface noise, milannes in quieter recordings. This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform cancinero the standards above.

An example might be cancionedo recording with surface noise so heavy that it is equal to the volume of the music. For records listed as “Fair”, we will describe the extent of the condition in the comments. Like “Fair”, we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as “relics” or “objects” only — for those who want to at least have canfionero copy of a record, even if it is not really worthy of play, perhaps for the cover alone.

For these records, we will describe the extent of the condition in the comments. If something is noteworthy, we try to note it in the comments — especially if canciondro is an oddity that is the only wrong thing about the record.

This might include, but isn’t limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws. This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, miilanes have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

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With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean we often change the cases ourselves — putting fresh cases on Used CDs we handle — and you can expect the booklet to be in good shape, unless noted otherwise. Scripting is disabled or not working.

Style sheets are disabled or not working. Latin CD Pablo Milanes. Out Of Stock CD. The following grading conditions milnaes to the vinyl component of an album or single: Sealed This is what it says, that the record is still held fast in shrink-wrap.

Near Mint Dusty Groove does not use the grades of Near Mint or Mint, for that matter because in our experience, we find that no records ever qualify for such a high grade.

Near Mint – minus Black vinyl that may show a cancioneto amount of dust or dirt. Should still be very shiny under a light, even with slight amount of dust on surface. One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won’t affect play, but might detract from the looks.

May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. Buddah and ABC pressings from the 70’s are a good example of this. May have some slight marks from aging of the paper sleeve on the vinyl.

Possible minor surface noise when played. Pblo still shine under a light, but one or two marks may show up cancioero tilted. Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail. This is the kind of record that will play “near mint”, but which will have some signs of use although not major ones. May have slight surface noise when played.

Very Good Vinyl can have some dirt, but nothing major. May not shine under light, but should still be pretty clean, and not too dirty. May have a number of marks 5 to 10 at mostand obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional pabko in part of a song, but never throughout a whole song or more.

This is clearly a copy that was played by someone a number of times, but which could also be a good “play copy” for someone new. Very Good – minus Vinyl may be dirty, and can lack a fair amount of luster.

Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.

Cancionero

This is the kind of record that you’d buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record. Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise. May have marks on all parts, too many to qualify as Very Good- or several deeper marks, but the record should still be ok for play without skips.

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In general, this is a record that was played a fair amount, and handled without care.

Cancionero – Pablo Milanés | Songs, Reviews, Credits | AllMusic

A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout. Good A record that you’d buy to play, cheap, but which you wouldn’t buy for collecting. Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout.

May have some other significant flaws, such as residue, or a track that skips. In most cases, a poor quality copy of a very difficult to find record. Fair This is a grade we rarely use, as we try ;ablo to sell records in very bad condition, though in some rare cases canvionero will list a record in such bad shape that it does not conform to the standards above.

Poor Like “Fair”, we rarely list records in this condition, as they represent the extreme low end cancioneor spectrum. Bobby Montez Viva Montez! An incredible album of Latin jazz!

The great vibist Bobby Montez leads one of the hippest combos you’ll ever hear on record — a modal quintet that grooves like no other Latin combo we can think of — topped with wonderful vibes from cancionego leader, on an album that’s totally unique — Poncho Sanchez Afro Cuban Fantasy. Conjunto Matamoros Bailare Tu Son to Willie Colon Color Americano. It’s always a treat to hear from the team of Kako and Totico — and this album’s no exception!

The pair have a way of coming up with lively interplay right from the start — the energy that would formerly build over time in Kako’s early jam session records, nicely brought to the Wayne Gorbea Salsa Picante.

Killer combo work from the legendary Cortijo — and just the kind of set to show why he was easily one of the sharpest Latin leaders of the 60s! The emphasis here is on heavy rhythms — the sort that set the dancefloor on fire right from the start, but keep things compelling through a Ray Barretto El Ray Criollo. Ray Barretto just before the Latin Soul era — working in the excellent style he used on his Charanga Moderna album — a choppy groove that has plenty of weird twists and turns — always rhythmic, and always plenty darn soulful!

The instrumentation here is a mix of small combo jazz A rare early Latin session from Charles Fox — an artist who’s best known for his TV and film soundtrack work of the 70s — but who really cooks nicely on this sweet 60s set! The album’s got an all-star crew — including flute from Johnny Pacheco, and rhythms from Louie Ramirez An undisputed masterpiece by Lee Morgan — and one of the first records in which he shed his straight bop sensibility, and began evolving into a soulful genius for the 60s!

The album’s got 4 long tracks that all build beautifully — really extended numbers that break the format of some Rahsaan Patterson Rahsaan Patterson.