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Chekhov, who has for a long time fled from Saint Petersburg, and could read the enthusiastic and therefore far too doubtful reassurance in the letters of his friends, was lq aware of the situation. They had a detailed correspondence about this problem, dealing with even the deleting or substitution of certain conjunctions.
All the critics considered it important to mention Masha. He wanted to liquidate the empty stage, the proscenium. The critics never spoiled Chekhov. After making a lot of promises that he would never deal with theatre again, after a good many one-act plays performed all over Russia, Chekhov started to write a new drama on the 21st of October, hchekov He sat his actors onto a long bench as a fourth wall, facing with the back the audience. Knipper and Meierhold played very well.
Comissarjevskaya could send the happy telegram in the first minutes after the performance: My play, the Seagull was presented today at the Alexandrinsky Theatre.
Everybody was perplexed, the general atmosphere was anything, but not cheerful. Is it possible that skills and popularity are sufficient reasons to evoke it?
La Mouette de Tchekhov – Avignon
It turned to be a short novel. Most of the critics considered that the play has failed because it was a weak drama.
Many were trying to find its reasons. Note in Suvorin’s diary, moutete February, His diary has preserved only a few sentences with the date of 17th October: It is realism itself.
Comedy, three female and six male roles, four acts, a landscape a panorama of the lakemany discussions about literature, little action, five pounds of love. It states that “The heart-broken Nina stands lonely and she is proudly facing all the other characters, these egoistic, petty-minded people. Not the director, but the actor was unsatisfying.
Since then this realism stays in theatre as some kind of illness or virtue? Here everybody says that you have borrowed the Seagull from my life, and they also tchekpv that you’re upbraiding someone else here, too! After the performance they were desperately looking for him, but he was nowhere.
The Seagull has failed for the first time at the premiere. Mizinova See, now you have a pretext to call me liar!
Mizinova to Chekhov, Pochrovskoye, 1st November Oh, oh, isn’t she ashamed! As if you didn’t know that I am collecting your letters in order to sell them later and thus assure a living for my old days!
I will not allow myself any indecency, if only because I’m afraid to ascertain about happiness never coming.
Everything happening on stage was in there. Chekhov turned to be a great talent, but for me it is undoubtedly true that it was a mistake to raise him to this literary rank Chekhov wanted to take the role of Nina from Roxanova.
Moueyte that moment Stanislavsky neither has liked, nor has understood the play. Stanislavsky was not proclaiming the ideas of a new theatre creation at the time of “writing” the Seagull, he was not predicting the reforms yet, but he made it, wrote it, directed it and also played it.
Une intrigue bien mince pour un enjeu aussi vital. Jamais le public de Moscou n’avait vu pareil spectacle. And all the efforts, all txhekov strains of this tiny little art seem to be pathologically piteous He was a weakling, an extremely complacent Trigorin – wrote Ephros about him.
His play entitled Seagull gives first of all the impression of a writer’s awkwardness, of the literary inertia of a frog blowing up itself. Tous tchkeov savent, acteurs, public et presse.
Stanislavsky was not a good Trigorin. Tchekof just insert something like that: The instructions for the scenery, sounds, noises, movements and actors demonstrate the idea that this theatre should be based on being and life, not on a playing-game.
La Mouette de Tchekhov – Avignon 2012
The actors haven’t memorised their roles He left with the first freight car to Melihovo. A part of the innovations have become routines since then, they have been used up. Chekhov also liked them. The voice of the actress was hardly even heard in the general pandemonium Theatre critics blamed first of all him and his play, not the theatre, the direction or the actors.
The actress has left the theatre soon.